Restrained Spenking Images

EVOLUTION

The traditional iconography of male Virgil is completely reinvented and transformed into a being of pure imagination.

A key figure who seems to have the features of a woman.

Certainly, the anatomy that does not stand for feminine grace and beauty can remember the physical frailty of some Olympic athletes and sometimes bodybuilder.

But everything has a why.

Someone said that a "classic" must be passable for any interpretation. And many will

patient and have faith and do not stop only at the first impression.

purists and conservative image of the poet of Mantua will argue the choice to steer the story line to the "Fantasy" with the intrusion of an animal-head-shaped "butterfly".

But careful observers and experts of the great triptych painting by Francis Bacon, will recognize in this dark un'Erinni form of the classical tradition.

Details of the Furies triptych by Francis Bacon

The Furies of Greek tragedies foreshadowed by their looks ominous. As the shadows lengthened and black backgrounds of paintings of English, this form with wings and antennae, apparently vague and incomprehensible, reminds us of a primordial image, a riddle that will be known only when Beatrice moved by compassion for his lost not the poet choose a model to become a guide and beacon for intrapendere journey into the underworld.

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homeless

For the debut of our blog we have chosen a poem. He has written M. from prison in Padua in 2001 and now devotes his dad, who died 41 years ago, when he was only 13 years.

M. lived a life of experience and many different jobs, had a large family but for the problems with the law is left alone and now try to rebuild their lives, the motto of " until there is life there hope. "

LIVING IN POVERTY '

" I lived on the shady side of the road

and watched the neighbors' gardens

across the street,

rejoicing in the sunlight.

I felt poor,

and went door to door

with my hunger.

more I gave

regardless of their abundance

I became more aware of my

begging bowl ..

Until one morning I woke up from sleep

suddenly open my door, and you

you joined in asking for charity.

In desperation, I broke the lid on my casket, and discovered

surprised my wealth. "

MV

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the dark wood

Let a simple consideration. The dark wood is

quell'invalicabile wall that everyone associated with a clear frustration, a hidden fear and unconscious that emerges paralyzing.

Dante knew very well. Invent a cliché that today seems almost trivial, but for him and his time is a forced exile, a lack of communication that leads to isolation with no possibility of mediation.

What anticipates Dante with the dark wood in the afterlife if not a premise? To satisfy a desire or an insatiable desire to talk about with others, you are willing to create a project or a path (physical, material or purely virtual) over which there is some form of satisfaction or contentment.

intrapendere Before any individual or personal journey, but it stops and makes a stop in front of the dark forest.

My Selva is the silence of this blog which, when mixed with two or three little things and personal neuroses, makes me stop and wait.

Perhaps some comment?

really do not know.

I think Dante is going to come out of Hell after 33 songs and see the stars and perhaps to take pleasure in something no one had ever dared to address.

his way.

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STAINING TAV 1 - PART I-DANTE INFERNO

for the coloring, the choice is oriented colors that enhance the look and feel and the subplot of signs and texture characteristics of the style of the entire first song.

The design takes into account the strong contrasts of complementary colors and the "echoes" the environment and in particular the orientation of the light.

The color in the "Dante's Inferno" plays a role in re-reading of the table, the form of additional elements and improvements.

The light gives the right value to the forms without ever giving up the two-dimensionality of the design surrounded and highlighted by thick lines and blacks of the fund.

Some Filters allow you to add, without too many complications, pictorial effects and shadows spread, which in this case, enrich and open up new possibilities in the design of reading.

For example, in the first picture that the ground is above the foot of Dante and that is somehow beyond the grave, thanks to the overlapping effects of some burning car and to communicate better to avoid the trap of hell next to come. Or in the second picture, the central darker shade accentuates the depth and impassability the forest of trees.