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INKING TAV. 1-PART I-DANTE INFERNO

The design is the "thalamus" intimate within which the imagination finds its form. And it is the board and in its ink you are looking for or efforts are made to check the sharpness and clarity of a complete product. The party plans to demonstrate sequentially the first words of the poem:

"IN THE MIDDLE OF THE ROAD OF OUR LIVES ..."

One foot goes in the field of the first picture and in the heart of the subject. Exceeds a limit and uses the metaphor of a flower that bent by the passage of the poet goes to burn the leaves and the leaves on fire and died in the territory of the dark forest and the underworld.

In the "translate" the most common form of discourse and the words of Dante, it was decided to focus writer on the loneliness of the man who almost without realizing it becomes editor of the afterlife. To do this, the absence of the other seems a prerequisite:

"At this point in life as usual must lose it happens to all men only"

In front of the extended dark forest.

This is portrayed with little depth to give the feeling of being in front of an impenetrable wall, dense, dark and suffocating.

The leaves of the tallest trees seem to intertwine, forming a sort a single body with multiple stems.

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BOZZETTO TAV. 1-PART I-DANTE-DANTE INFERNO INFERNO

The practice is as follows.
When I make a table starts with the clear idea and focus on quick, sudden, which often leads me now elsewhere, perhaps to focus immediately to the second version.
It 's a moment. You do not need a lot of precision and now it seems unnecessary to dwell in detail.
The idea needs to be clarified before any better aesthetics or elegance of style.
And that's why design and script, go hand in hand in the sketch.

beginning on folio A4 white mark their territory with only habitual generic header: text and script, No of the board and subtitle (topic addressed in sequence and study). For the Divine Comedy and Dante's Inferno in my project can not write before, the whole script. I always think to create a visual product, everyone should proceed according to their locations and do not fossilize in pre-established by any rule of any parish schools of comics.
The subject exists, and how! And the project is striving to live a comma was used to Dante to convey a symbolic, metaphorical or linked to his fantastic imagination.
The rules apply only to a facility in the execution of product and not as a force to which we must always follow.
Anything is improvisation, but this is almost always clear from the first line drawn in the paper, and for those who are stubborn in the whole table. In each
Dante seems to mix a fast emotional, full of nuances and assumptions related to its time: factions fighting for religious fundamentalism or material powers expressed in the form of complex figurative paintings that can not be removed or set aside because of space or number of pages. So the process of drawing the first sketch, following literally, step by step and every word of the poet seeks summary only there where the emotion of the verse can not to be expressed with words.
For licenses are merely required the goodwill of the reader.

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LOGO

The title is all about.
the logo and its content is expressed in a policy statement. A purpose of intent.
The hero and his journey. The man in his innocence el'incognita a dark place that becomes the scene of their actions. A magma
reminiscent of volcanic eruptions and characters of the first chapter of a long trilogy that condense to forge the address to which the curiosity is more extreme.

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"FOR IF YOU HAVE NEVER SEEN A GARDEN so beautiful?"

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STUDY FOR FACE AND EXPRESSION

Dante appears younger than the traditional iconography. When you proceed to the various circles of hell, but even before, when discovers that he is prevented from crossing the Acheron with the crowd of the damned, host of the "cart" of Charon, his face begins to brutalize and symbolically to age.

In the long journey that awaits you can also think of hair loss as a condition of maximum light divine or as a last nervous breakdown after having seen all the colors! Already by the third song a long beard and the first taken away in respect of the "sloth," resulting in premature aging, inner witness of all the bad poet who suffers the fate of being devoured by worms, flies and wasps.

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DANTE-THE COMEDY THAT SURVIVES AND LIVES FOR STUDIO DANTE

I think several times to document my work as an illustrator and cartoonist, with the margin notes or preliminary sketches.
To do the best for a project on Inferno of Dante "sharing" may be a further incentive to "survive" the idea for years to come.
not know how many ask to take the long-term maturities or use verbal or visual language to stimulate the minimum daily dose of creativity.
I chose to do so with the "Commedia" by Dante, with a totally personal way of reading and rereading the work of the master.
Without betraying the poetic content of the work and without making cuts or ruptures to the original text with graphics, scripts or abridged novel hit and run, we want to illustrate in comic form the great journey undertaken by a man made of flesh and moods.
when Dante descends into Hell to be more "worthy" comes down from the pedestal too wordy and boring that certain culture has taken to raise it or paint it over the years.
Especially in recent years was meant to entrench a conservative figure behind its more subtle, disguised as those of Benigni converted readings, without ever risking any experimentation.
To give long life to a product of culture as The Divine Comedy that is universally of all, no need to learn it verbatim from memory to display or use only the recordings of Dore. But chances with language and revisions which bring the work to contemporary culture.
Think of the old Dali in his clear insanity or the general Greenaway with his first eight cantos of the Inferno in the form of short copyright. In the comic
nazionalpopolare or someone in the industry calls "industrial", you can not get out of the cartoon. In my project, perhaps a bit 'crazy for length and amount of energy I want to leap all the visual languages \u200b\u200brelated to graphics and a bit' over the top all the styles of those artists that I have kept devouring comic books for twenty years. One out of every
Andrea Pazienza.
In the same product can coexist different expressions for the schizophrenic nature, omnivorous and destabilizing that makes the artist a "multitude" of people, authors and friends met in life. And his work an open work that can adapt to a multitude of further interpretations.

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proceed with the identification of the character.
"Halfway through the journey of our life", at a guess about thirty years. Physical
dry, thin face and without neglecting some traditional look like the curved nose and pronounced.
physiognomic affinity.
Dante as a whole denotes membership in the Middle Ages, but filtered through the lens of contemporary life.
haversack with shoulder strap used by travelers to bring a diary (blog?), collarless shirt upwards and novel features, long hair and matted. Dante is just as disheveled
certain poets of the trend can be, too preoccupied by the fury of record and write about themselves and their experiences in dealing with their appearance.
the model may seem interesting but too David Lynch characterized by the nineties.
One wonders what kind of hairstyle could have Dante under the weight of bulky para-ear headphones supplied with cotton and lace for the winter, the cap, and limp in the back of a 300 g of bay leaves.
Maybe he was bald! My
Dante at the beginning of his journey, when he realizes that has exceeded the "limit of the underworld, takes off over his head all this bulky material and throws it away into the abyss in the middle of some vision or hallucination that the feeling of loss has earned him the right way.
As for the clothing we see as a mere pretext to Simone Martini of Siena, who better than Giotto was able to reproduce the giddiness of being artistic. Wellness
only temporary, because starting already from the encounter with the mythical Charon and his "Carretta of the Damned," these poor clothes are torn, muddy and give to the poet in a vision of a beggar.
last and not least the shoes.
Dante really grind many kilometers. Scale the cliffs and slopes, and go beyond safe ground unsurfaced.
Maybe at the end of the third song when he realizes that he can not board an illegal immigrant in the Carretta has already consumed the thin soles and will be reduced to bare feet.