When I make a table starts with the clear idea and focus on quick, sudden, which often leads me now elsewhere, perhaps to focus immediately to the second version.
It 's a moment. You do not need a lot of precision and now it seems unnecessary to dwell in detail.
The idea needs to be clarified before any better aesthetics or elegance of style.
And that's why design and script, go hand in hand in the sketch.
beginning on folio A4 white mark their territory with only habitual generic header: text and script, No of the board and subtitle (topic addressed in sequence and study). For the Divine Comedy and Dante's Inferno in my project can not write before, the whole script. I always think to create a visual product, everyone should proceed according to their locations and do not fossilize in pre-established by any rule of any parish schools of comics.
The subject exists, and how! And the project is striving to live a comma was used to Dante to convey a symbolic, metaphorical or linked to his fantastic imagination.
The rules apply only to a facility in the execution of product and not as a force to which we must always follow.
Anything is improvisation, but this is almost always clear from the first line drawn in the paper, and for those who are stubborn in the whole table. In each
Dante seems to mix a fast emotional, full of nuances and assumptions related to its time: factions fighting for religious fundamentalism or material powers expressed in the form of complex figurative paintings that can not be removed or set aside because of space or number of pages. So the process of drawing the first sketch, following literally, step by step and every word of the poet seeks summary only there where the emotion of the verse can not to be expressed with words.
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