proceed with the identification of the character.
"Halfway through the journey of our life", at a guess about thirty years. Physical
dry, thin face and without neglecting some traditional look like the curved nose and pronounced.
physiognomic affinity.
Dante as a whole denotes membership in the Middle Ages, but filtered through the lens of contemporary life.
haversack with shoulder strap used by travelers to bring a diary (blog?), collarless shirt upwards and novel features, long hair and matted. Dante is just as disheveled
certain poets of the trend can be, too preoccupied by the fury of record and write about themselves and their experiences in dealing with their appearance.
the model may seem interesting but too David Lynch characterized by the nineties.
One wonders what kind of hairstyle could have Dante under the weight of bulky para-ear headphones supplied with cotton and lace for the winter, the cap, and limp in the back of a 300 g of bay leaves.
Maybe he was bald! My
Dante at the beginning of his journey, when he realizes that has exceeded the "limit of the underworld, takes off over his head all this bulky material and throws it away into the abyss in the middle of some vision or hallucination that the feeling of loss has earned him the right way.
As for the clothing we see as a mere pretext to Simone Martini of Siena, who better than Giotto was able to reproduce the giddiness of being artistic. Wellness
only temporary, because starting already from the encounter with the mythical Charon and his "Carretta of the Damned," these poor clothes are torn, muddy and give to the poet in a vision of a beggar.
last and not least the shoes.
Dante really grind many kilometers. Scale the cliffs and slopes, and go beyond safe ground unsurfaced.
Maybe at the end of the third song when he realizes that he can not board an illegal immigrant in the Carretta has already consumed the thin soles and will be reduced to bare feet.
"Halfway through the journey of our life", at a guess about thirty years. Physical
dry, thin face and without neglecting some traditional look like the curved nose and pronounced.
physiognomic affinity.
Dante as a whole denotes membership in the Middle Ages, but filtered through the lens of contemporary life.
haversack with shoulder strap used by travelers to bring a diary (blog?), collarless shirt upwards and novel features, long hair and matted. Dante is just as disheveled
certain poets of the trend can be, too preoccupied by the fury of record and write about themselves and their experiences in dealing with their appearance.
the model may seem interesting but too David Lynch characterized by the nineties.
One wonders what kind of hairstyle could have Dante under the weight of bulky para-ear headphones supplied with cotton and lace for the winter, the cap, and limp in the back of a 300 g of bay leaves.
Maybe he was bald! My
Dante at the beginning of his journey, when he realizes that has exceeded the "limit of the underworld, takes off over his head all this bulky material and throws it away into the abyss in the middle of some vision or hallucination that the feeling of loss has earned him the right way.
As for the clothing we see as a mere pretext to Simone Martini of Siena, who better than Giotto was able to reproduce the giddiness of being artistic. Wellness
only temporary, because starting already from the encounter with the mythical Charon and his "Carretta of the Damned," these poor clothes are torn, muddy and give to the poet in a vision of a beggar.
last and not least the shoes.
Dante really grind many kilometers. Scale the cliffs and slopes, and go beyond safe ground unsurfaced.
Maybe at the end of the third song when he realizes that he can not board an illegal immigrant in the Carretta has already consumed the thin soles and will be reduced to bare feet.
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